Tag Archives: glue blocks

3 Accepted Foot-to-Case Connections

Last week, after I professed that everyone should have a spindle sander, A few readers asked how I used a spindle sander as a thickness sander. It turns out that I have posted that technique, but it was inside another post. Here’s a link to that post; you’ll find the spindle sander being used to thin ebony string about halfway down the post.

Entertainment_Center copyOn to the next topic: How to attach feet to your case. Of course, there are a few ways to get feet on your cases. There are three methods I generally use on most every case. The first is to attach the feet directly to the bottom of the case, a second method is to rout the top edge of the joined feet and install a plate through which screws affix the assembled unit to the case bottom and the third method is to attach feet to a frame then attach the frame to the case and use a transition molding to cover the through dovetails where the case bottom joins the sides. I mention other methods, because I’ve built a couple of chest – full-size and spice boxes – from Chester County where the feet were attached directly to stiles of the frame and panels sides. While this is not commonplace, it, along with other methods, is sometimes done.

To attach feet directly to the case, I begin by installing a molding to which the feet are glued. You wouldn’t think that you could assemble feet to a molding and that would be strong enough to hold everything for 200 years. IMG_1590Of course, you would be correct. What really holds the feet to the case are  glue blocks. These blocks also carry the bulk of the load of your chest. On the case I’m currently at work on, the thickness of the feet allows about an 1/8″ of the feet to lap onto the case itself. Then, with the glue blocks in place, the weight of the case is divided on the actual feet and on the glue blocks – the vertical block holds the weigh while the two horizontal blocks keep the assembled foot attached.

The next method is a bit more work. And the added plate makes the connection easier, but not necessarily any stronger. After the two foot pieces are joined via miters, I rout a small lip on the inside of the feet using a rabbeting router bit to which I attach a thin plate. PlateThe SketchUp drawing at the left shows how the plate fits to the feet; a thin bead of glue and brads secure the plate to the feet. The assembled unit is then screwed directly to the case bottom with the unit sticking out in front of the case. The look is completed by wrapping a molding around the case. An example of this type of connection is seen in the opening photo, although you cannot see the plate. That’s by design. As you see in the drawing, the cutout for the plate does not blow through the end of the foot.

The last method – the option that I find the most used as I look back at furniture I’ve built throughout the years – is to attach the feet to a base frame which is then attached to the case. Foot&Frame3I used this method on the Pennsylvania blanket chests in the August 2009 issue of Popular Woodworking Magazine (#177) and the Serpentine chest from issue #195 (February 2012). As you can see in the right-hand photo, the same idea of glue blocks is used – mainly for reinforcement in this case. The frame is attached to the front of the chest with screws, but the remaining frame is nailed to the case bottom to allow for seasonal adjustments. The look is then completed with a transition molding.

These are three good methods used to attach feet to cases. There are pros and cons to each, as there is with any technique used in woodworking. Whenever you here, “This is the only way to do it,  run in the opposite direction. You have choices.

Build Something Great!

Glen

 

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Filed under Joinery, Methods of Work

Furniture Detective

Take a look at the photos below. Here is a look at the bottom of the original Egerton Tall Case clock. What do you see?

I see tons of information about how pieces, clocks in particular, were built during the period. While I have come to understand that construction methods used back in the day are questionable when viewed with today’s eyes, I am constantly amazed at what we see.

For example, The bracket feet on this clock are attached under the transition molding that wraps the base on three sides – they may just catch the base sides and front, but if they do it’s not by much. Glue blocks, placed at the corners, fit under the case to carry the load. The rear feet in the photos are aligned with the clock’s backboard. Were the feet installed after the back was positioned? Or did the rear feet simply flop in the breeze until the back was added, at which time a nail made the final connection?

In the top photo, a missing glue block answers the question of how the feet were joined. The faint over-cut lines on the rear side foot indicate that the rear foot was dovetailed to the side foot. (Front feet are mitered.) If the block were in place, as it is in the second photo, we would be left guessing.

Notice, also, how thin the base sides appear. My best determination is that the sides are 1/2″ in thickness. With this information, it is clear that I plan to build an adaptation of this clock, not a reproduction – I don’t see the value in working with stock that thin.

Another question is how the bottom is attached. I have photos from other period clocks that show bottoms held in place by glue blocks (see below). That type of construction may seem shoddy, but there is a reason to adapt this method. Sometime during the clock’s life, it is possible that weights, which drive the movements, could be dropped in the case. At 10 – 14 pounds or more, these weights would do severe damage to the case bottoms. If the bottoms were an integral part of the base, repairs would be difficult if not impossible. Easily replaced bottoms keep the clocks in good repair.

I’m sure there is more information shown. If you see something in the two photos, leave a comment below. Information garnered from more than one pair of eyes makes us all better craftsmen.

Build Something Great!

Glen

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Filed under Antique Pieces, Design